SPONSORED BY CANNING LITURGICAL ARTS
SPONSORED BY CANNING LITURGICAL ARTS


CONFERENCE EXHIBITORS & SPONSORS
Canning Liturgical Arts
Beyer Studio
Capella Studio
Conrad Pickel Studio
Contrasts Wood Carving
Dei Gratia Sacred Art
Evergreene Architectural Arts
King Richards Liturgical Design
Paige Stransky Liturgical Design
Ratigan Schottler Manufacturing
St. Augustine Academy Press
St. Jude Liturgical Arts Studio
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Sponsors:
CONFERENCE SPEAKERS






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Peter Carter: is co-author with Cardinal Sarah of The Song of the Lamb: Sacred Music and the Heavenly Liturgy. He is the founder and director of the Catholic Sacred Music Project, which is devoted to forming emerging leaders for the renewal of sacred music. He also serves as the director of sacred music for both the Aquinas Institute of Princeton University and St. John the Baptist Church in Allentown, New Jersey. At St. John the Baptist, he leads the parish chorister program and conducts a thirty voice semi-professional Schola Cantorum who sing for a weekly Solemn High Mass in the Extraordinary Form.
He has sung and recorded with the Westminster Symphonic Choir, the Grammy® nominated Westminster Williamson Voices, The Same Stream, and The Lotus Project. He has performed as an organist in the United States and France and has played for televised liturgies on EWTN. As a clinician, he has led sacred music workshops throughout the United States and at the seminary of the Fraternity of St. Joseph the Guardian in the Diocese of Fréjus-Toulon, France.
From 2016-2023, he served as the director of liturgical music for the Pro Civitate Dei summer conferences hosted by the Fraternity of St. Joseph the Guardian in the United States, France, and Chile. From 2019-2020, he served as co-host of Square Notes: The Sacred Music Podcast, interviewing prominent Church figures and musicians including Robert Cardinal Sarah, Olivier Latry, and Sir James MacMillan. In 2020 and 2024, Mr. Carter directed the music for Sarum Vespers in Philadelphia and Princeton which were the first Catholic Sarum liturgies in the United States. In 2021, he founded The Catholic Sacred Music Project with an inaugural Choral Festival at the Cathedral-Basilica of Sts. Peter and Paul in Philadelphia, and a Choral Festival in San Francisco in 2022. He continues his work with the Catholic Sacred Music Project with an annual Sacred Music Summer School in Princeton, NJ, forming musicians to serve the Church with the highest level of musical excellence.
Mr. Carter holds degrees from Westminster Choir College.​​
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Nicolas Charbonneau, PRINCIPAL, ASSOCIATE AIA, WASHINGTON, D.C is the award-winning director of the Harrison Design's Sacred Architecture Studio, which is based in the Washington, D.C. office. His accomplishments distinguish him as one of the premier designers of Catholic churches and classical schools in the country. Nic brings an abiding dedication to the noble principles of classical architecture, its forms and proportions, and draws on his experience in the construction industry. He has directed and overseen all phases of design for a diverse group of projects, ranging from large-scale ecclesiastical and institutional projects to intricately detailed interior renovations. Before joining Harrison Design in 2015, he worked with several Virginia and Washington, D.C. firms. Nic earned his Master of Architecture degree from the University of Notre Dame with an undergraduate degree in philosophy.
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Martin Earle is a British artist specialising in sacred art and furnishings for the liturgy. His practice is rooted in the conviction that “the Word became flesh” and shaped by hands-on research into the relationship between traditional techniques—including egg tempera, carving, mosaic, and other slow crafts—and the Christian image. A graduate of the Royal College of Art, he creates new commissions for churches across the UK and USA, including a Grand Prize-winning crucifix for St Mary's Cathedral in Aberdeen. Alongside individual works, he designs sacred spaces and collaborates with fellow craftspeople committed to making beautiful things for God.
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William Heyer, is a classical architect in Columbus, Ohio where he has directed his own studio since 2002. He received his Bachelors of Architecture from Pratt Institute in New York City, his Masters of Architecture from the University of Notre Dame, and mentored under Thomas Gordon Smith, founder of the classical architecture program at the University of Notre Dame. His built projects include new churches, monasteries, and oratories, renovations to cathedrals and churches, as well as liturgical furnishings and directives on decorative arts.
William is professor of Fine Arts at the Pontifical College Josephinum where he teaches the popular class Sacred Architecture in the Life of the Church. He lectures nationally on the history and meaning of sacred architecture. His articles and interviews have appeared in Traditional Building Magazine, The National Catholic Register, Adoremus Bulletin, Sacred Architecture Journal, and online at Liturgical Arts Journal and LOGOS.
William is a member of The Society for Catholic Liturgy, The Diocese of Columbus Sacred Architecture & Art Commission, and The Institute of Classical Architecture & Art. He is director of Ensemble Una Voce, an independent vocal ensemble performing beautiful sacred music throughout the Columbus Diocese. He lives in Bexley, Ohio.
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Fr. Robert McTeigue, SJ, is a member of the US Eastern Province of the Society of Jesus. A professor of philosophy and theology, he has taught worldwide and is known for his classes in both rhetoric and medical ethics. He is a member of the National Ethics Committee of the Catholic Medical Association. His book on preaching, I Have Someone to Tell You: A Jesuit Heralds the Gospel is now available. His latest books from Ignatius Press are Real Philosophy for Real People: Tools for Truthful Living (2020) and Christendom Lost and Found: Meditations for a Post Post-Christian Era (2022). He is host and producer of “The Catholic Current” via The Station of the Cross Catholic Media Network and a regular guest on EWTN's Prayful Posse with Raymond Arroyo, Robert Royal and Fr. Gerald Murry.​
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Dr. Jem Sullivan serves as associate professor of practice in Catechetics in the School of Theology and Religious Studies at The Catholic University of America, Washington, D.C, where she teaches undergraduate and graduate courses in the history and theory of Catechetics. Dr. Sullivan was appointed to serve as a member of the International Council for Catechesis under the auspices of the Pontifical Council for the Promotion of the New Evangelization, Rome. Her research and publications focus on liturgical catechesis and the place of beauty and the arts in catechesis and evangelization. For three decades, Dr. Sullivan has engaged actively in catechetical initiatives at the national and diocesan levels, including serving as lead staff to the USCCB Subcommittee on the Catechism. Dr. Sullivan is the author of four books on catechetical themes: A Study Guide to the United States Catholic Catechism for Adults; The Beauty of Faith: Christian Art and the New Evangelization; Opening the Door of Faith: A Study Guide for Catechists and the New Evangelization; and Believe, Celebrate, Live, Pray: A Weekly Walk with the Catechism of the Catholic Church. She is the host of a podcast "Echoing Faith Today," that engages discussion on contemporary themes in catechesis and evangelization in the Directory for Catechesis.
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Dr. Sullivan is the principal investigator and project lead for a liturgical catechesis project funded by a $802,000 grant award from Lilly Endowment Inc. in its Nurturing Children in Worship and Prayer Initiative.
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David Riccio, is one of the principals of Canning Liturgical Arts, a division of John Canning & Co., and has helped lead the company for over 25 years.
As a Professional Associate of the American Institute for Conservation of Historic and Artistic Works (AIC) and an Association for Preservation Technology (APT) Recognized Professional, he is an industry-recognized expert on historic flat and ornamental plaster as well as decorative painting techniques, gilding, and glazing and has developed multiple innovative solutions for complex restoration conditions.
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David has been committed to preserving and restoring beauty in Catholic churches throughout his career. His planning and project management skills keep projects on track and on budget and he has overseen large-scale projects such as the Shrine of Our Lady of Guadalupe in La Crosse, WI, the restoration of St. Marys in New Haven, CT, and the conservation of The Basilica of the Sacred Heart of Jesus, in Hanover PA.
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Presentation title: "Reviving Beauty Through Decoration: A Craftsman's Perspective on Renovation & Restoration"
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Q & A MODERATOR
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William Newton is a critic, commentator, and public speaker with a variety of interests in the art world. He is a graduate of the Georgetown University School of Foreign Service, the University of Notre Dame Law School, and Sotheby’s Institute of Art in London. He lives in Washington, D.C.
He has served as an art critic for the American edition of The Spectator magazine, as well as for the online magazine The Federalist, and his work has appeared in Aleteia, The Catholic Herald (UK), and Patheos, among other publications. As a public speaker, he has addressed academic, professional, and religious institutions around the U.S.,and appeared on numerous podcasts. He is currently finishing his first book, which
deals with artistic and cultural observations drawn from his travels in Spain.
ABOUT THE CONFERENCE

The conference begins with the votive mass of Bl. Fra Angelico in the Dominican House of Studies chapel accompanied by choral polyphonic music.
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Registration, lunch and the presentations will follow Holy Mass in
Fr. O'Connell Hall on Friday September 19th.
Friday will conclude with a special VIP reception, variety of hor'dourves, and open bar.
The presentations continue on Saturday including lunch, the Bernini Awards,
and plenty of time for networking and fellowship.
Saturday concludes with a reception celebrating the Bernini Awards recipients for
all conference attendees and includes a spread of a delicious hor'dourves and beer/wine.
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If you require dairy or gluten free lunch options, please email
contact@catholicartinstitute.org before Sept. 14th.

CONFERENCE SCHEDULE
Friday September 18, 2026
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10:00-11:15 Opening Mass of Bl. Fra Angelico, Dominican House of Studies Chapel
11:30-11:45 Registration Fr. O'Connell Hall
11:45-12:45 Lunch
12:45- 1:00 Welcome Address, Kathleen Carr, Catholic Art Institute President
1:00-1:45 1st Presentation - Peter Carter
1:45-2:00 Q & A moderated by William Newton
2:30- 3:00 Break & Networking Time
3:00-3:45 2nd Presentation - Fr. Robert McTeigue S.J.
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3:45 -4:00 Q& A moderated by William Newton
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4:00-4:15 Break & Networking Time
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4:15-5:00. 3rd Presentation - Nikolas Charbonneau
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5:00-5:15 Q& A moderated by William Newton
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5:15 Dismissal for Non VIP Ticket Holders
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5:15 - 6:15 VIP Reception for VIP Ticket Holder with Conference Presenters - Heritage Hall
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Saturday September 19, 2026
11:00-11:45 4th Presentation - Dr. Jem Sullivan,
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11:45-12:00 Q & A moderated by William Newton
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12:00-1:00 Lunch
1:00-1:45 5th Presentation - Martin Earle, artist
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1:45-2:00 Q & A moderated by William Newton
2:00-:2:30 Break & Networking Time
2:30-3:15. 6th Presentation - William Heyer
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3:15-3:30 Q & A moderated by William Newton
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3:30-3:40. 7th Presentation David Riccio
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3:40 - 5:00 Bernini Awards Ceremony
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5:00 - 6:00 Reception with speakers for all conference attendees.
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* conference agenda is subject to change excluding start and end times which will remain as listed.
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TICKETS
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Catholic Art Institute Members: $345
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Non Members: $395
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VIP Tickets: $450
VIP Tickets are limited and include a special VIP reception with the speakers, plus reserved seats in the front of the conference room for the presentations and meals.
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VIP Friday only: $265
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Friday Only: $220
Saturday Only: $220
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VIP Table for 10: $3300 - includes access to the VIP reception and priority seating in the hall for the presentations and meals.
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This is a catered event so tickets must be be purchased by Sept. 14, 2026 and will not be sold at the door.
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BECOME A MEMBER & SAVE
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Support the Catholic Art Institute by becoming a member. Members receive discounts on events including the annual conference, retreats, workshops, online courses, the Sacred Art Prize and more.
Members are also enrolled in our Mass Association and receive spiritual benefits by being remembered at bi-weekly special masses said by the Canons Regular of St. John Cantius for all members and their work.
For complete details and to enroll, please visit: https://www.catholicartinstitute.org/membership
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We will be verifying member enrollment for all events so please be careful to purchase the correct ticket type.
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PATRON CONFERENCE PROGRAM PLACEMENTS
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Tax deductible patron opportunities with conference recognition available now.
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Become a Conference Benefactor
Conference patron opportunities provide individuals, families, artists, studios, businesses, and organizations with a meaningful way to support the renewal of sacred culture and the mission of the Catholic Art Institute.
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As an expression of gratitude, patrons may be acknowledged in conference materials and related communications, including:
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Recognition in the printed conference program
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Recognition on conference presentation screens throughout the event
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Recognition on the conference page of the Catholic Art Institute website
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Patrons may choose recognition such as:
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In memory of a loved one
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In honor of a family member, artist, priest, mentor, or friend
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Sponsored by a family, studio, or organization
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In prayerful support of artists and the renewal of sacred culture
Examples:
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"In loving memory of John Smith"
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"Sponsored by the Smith Family"
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"In honor of Fr. Michael Jones"
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"With prayers for artists and sacred culture"
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"Supported by Business or Studio Name"
Recognition opportunities support the annual conferences, educational initiatives, sacred arts programming, and the ongoing work of the Catholic Art Institute.
Recognition content is subject to approval and should be consistent with the mission and values of the Catholic Art Institute.
Giving Level Descriptions
Friend Patron — $150
Name listing in:
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Patrons names or businesses will be listed in the conference program
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Friend List on conference webpage
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Patron list displayed in conference slideshow
Patron — $300
Name listing + short dedication (80 characters) in:
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conference program
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Patron names will be listed on the conference webpage
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Patron list in displayed in the conference slideshow
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Benefactor Patron — $500
Quarter-page recognition placement in the conference program
Plus Recognition on:
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conference screens and presentations
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conference webpage
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Half Page Placement Displayed on Screen in Conference Slideshow
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Gold Patron — $1,000
Full-page recognition placement in conference materials
Plus Recognition on:
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conference screens and presentations
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recognition on conference webpage
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Recognition in one conference email/newsletter
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Full Page Placement Displayed on Screen in Conference Slideshow
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Premium Patron — $2,500
Prominent full-page recognition placement near the front of the conference program
Plus Recognition in:
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Full Page Placement Displayed on Screen in Conference Slideshow
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Prominent recognition on conference webpage
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Special recognition in conference email/newsletter
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Recognition as a Premium Conference Patron during conference acknowledgments
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Priority placement within conference materials
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Recognition Type
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In memory of
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In honor of
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Inspired by
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Prayers for artists and sacred culture
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Business / Studio / Organization Recognition
Submission deadline: Sept 1, 2026
Questions or other inquires can be sent to contact@catholicartinstitute.org
Click for details about patron levels & recognition:​
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CONFERENCE EXHIBITOR TABLES - SOLD OUT
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Promote your business to clergy, architects, facilities managers, and art lovers by reserving a table at the conference. Tables are located in the same room as the conference presentations and meals. Exhibitors will be listed at the top of this page, in our email newsletter, thanked on our social media accounts and included in the Youtube videos, reaching a total of 40,000 subscribers.
For details and to reserve your table visit: https://www.tickettailor.com/events/catholicartinstitute/2034688
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CONFERENCE HOTEL ROOM BLOCK
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Hotel Accommodations for the conference are being provided by the Royal Sonesta Hotel on Capitol Hill for the Catholic Art Institute conference attendees for $259 a room.
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Reservations can be made for this special discounted rate at this link until Aug 20th : https://www.sonesta.com/royal-sonesta/dc/washington/royal-sonesta-washington-dc-capitol-hill?isGroupCode=true&groupCode=G091726CART&checkin=2026-09-17&checkout=2026-09-20
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The Royal Sonesta opened in 2023 with spacious rooms, a french restaurant, Cafe Du Jour, on premises for breakfast, lunch, and dinner, as well as a bar and lounge area for gatherings after the conference.
All rooms come with a mini fridge, espresso machine, complimentary robe, spacious bathrooms with rain shower fixtures, a work desk and wardrobe, complementary refillable water bottles and filtered water dispensers and ice on each floor.
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The hotel is conveniently located two blocks from Union Station and close to the museums and monuments on the National Mall. It's one half block from the Dubliner Restaurant and other area restaurants and conveniences.​
THE CATHOLIC ART INSTITUTE IS PROUD TO PARTNER WITH
THE CATHOLIC UNIVERSITY OF AMERICA
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7th ANNUAL CONFERENCE
"REDEEMING CULTURE: BEAUTY AS A PATH TO EVANGELIZATION"
September 18 & 19, 2026
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THANKS TO OUR PREMIUM CONFERENCE SPONSOR:​​
LOCATION
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The Catholic University of America, 620 Michigan Ave NE, Washington, DC 20064 in The Fr. O'Connell Hall (Heritage Hall) Building). Conference presentations, meals and receptions will take place in Heritage Hall located inside Fr. O'Connell Hall. See map below for parking and building locations.
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PARKING
Ample all day parking is available in the McMahon Lot behind the Basilica. There is also limited free street parking and paid, yet limited in terms of hours that you can park, next to the National Shrine. The McMahon Lot is, a five minute walk to Fr. O'Connell Hall. See map below for location of McMahon Lot, Fr. O'Connell Hall and the Dominican House of Studies Chapel.

AFTER CONFERENCE GATHERING
Conference attendees are invited to Cafe DuJour at the Royal Sonesta Hotel after the conference for dinner, drinks and good cheer. Dinner reservations are strongly encouraged but ample space is available in the bar and lobby areas to gather and socialize.
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REFUNDS
No refunds after Sept.5, 2026. If you have questions, please email: Contact@CatholicArtInstitute.org.​

