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SACRED ART PRIZE
2025

2025 Sacred Art Prize Winners

The Sacred Art Prize was instituted in 2020 to recognize excellence in Catholic sacred art. 

The competition seeks to recognize, award and promote work that demonstrates a mastery of craftsmanship

as well as how to appropriately depict sacred subject matter with a profound theological understanding.

The following gallery reflects the jurors selections of works that best fit the Sacred Art Prize prospectus. 

These works were selected from over 360 submissions from fifteen countries including:

Australia, Austria, Brazil, Canada, France, Germany, Ireland, Italy,

Jamaica, Mexico, Netherlands, New Zealand, Spain, United Kingdom, and the United States.

Regarding the jurying process: The names of the artists are removed from all the submitted works,

so the jurors are judging the work blind and the selections are based on merit, according to the

prospectus, and not on any other consideration.  

Many thanks to Jurors, Charles Pabst and Kathleen Carr, for their time and consideration. 

 

Congratulations to the winners and finalists for this achievement and for participating in the Sacred Art Prize.

Prize Awards

Sr. Mary Paula Beierschmitt I.H.M. Memorial Grand Prize: $2500. 

Second Prize: $750

​Third Place: $250

Thanks to the Sacred Art Prize Web Sponsors Including:

Ecclesiastical Studios & Sons

Exquisite Arts

If you are interested in purchasing any of the finalist works,

please email contact@catholicartinstitute.org.

A selection of works listed in the gallery below will be on display at the 

Sacred Art Gallery 

from February 21-March 21, 2026

The Catholic Art Institute graciously thanks the Sacred Art Gallery staff for

hosting the opening reception on February 21, 2026. See photo gallery of

the opening reception below, following the prize winners gallery.

Sister Mary Paula Beierschmitt, I.H.M.

Memorial Grand Prize 

Formerly Marianna Beierschmitt, Sr. Paula died on Sept. 28, 2013 in Mary Immaculate Convent, Philadelphia, in the 55th year of her religious life. She was 72 years old.

Born in Ashland, Pa., Sister Paula entered the Congregation of the Sisters, Servants of the Immaculate Heart of Mary in 1958 from Our Lady of Mount Carmel Parish and professed her vows in 1961.

She taught school in various grades in up-state Pennsylvania and Philadelphia. In 1984 Sister Paula pursued further studies at various sites including the Barnes Foundation and the Pennsylvania Academy of Fine Arts. She was commissioned by the Pallottine Fathers to sculpt a bust of their founder, St. Vincent Pallotti, for the National Shrine of the Immaculate Conception in Washington, D.C.

 

For her IHM Community, she sculpted “The Handmaid” and “The Missionary,” a likeness of Father Louis Florent Gillet, the order’s founder. Sister Paula was the founder of the American Academy of the Sacred Arts in Philadelphia, a Catholic arts organization with a nearly identical mission as the Catholic Art Institute.

Matthew Conner - The Apparition of St Michael at Mont Gargano - 30x15 - egg tempera on pan

Sister Mary Paula Beierschmitt, I. H. M. 
Memorial Grand Prize


1st Place

The Apparition of St. Michael at Mont Gargano

by Matthew Conner


Egg Tempera on Panel | 30x15 in. | NFS

matthew-conner.com



Jurors Comments: This mesmerizing depiction of St. Michael at Monte Gargano imaginatively and beautifully depicts this unique apparition of the Prince of the Heavenly Hosts. From the complex landscape to the detailed vestments, the viewer is drawn into this miraculous scene, as well as to contemplation.

The painting beautifully demonstrates a mastery of egg tempera painting techniques, a creative use of composition, as well as striking the right balance between realism and idealism, particularly in the expressions and depiction of St. Michael. There is a clear reverence for the masterpieces of the great Flemish masters while maintaining a unique and refreshing artistic expression.

The jurors chose this painting for first prize based on its complexity of composition, evident mastery of artisanship, creativity, and profound theological comprehension for depicting sacred subject matter. 

2nd Place


Christ Calming the Storm

Martin Earle and Sister Josephine Marie, 


Egg tempera and on panel | 40 x 32 in. | NFS

martinearle.com

Jurors Comments: This imaginative panel of Christ Calming the Storm is a beautiful contemporary interpretation of the Byzantine and early Medieval style. The golden field, symbolic of the Divine Presence of Christ, is pierced by the mast of the small fishing boat and immediately reminds us that the event we are contemplating lies at the intersection of the awesome power of nature and the humble omnipotence of God Incarnate. 

 

The painting succeeds in portraying the entire Gospel narrative most succinctly by cleverly repeating the figure of the Lord at both ends of the boat. The fish afloat in the malachite waves and the personification of the winds facing their Master add a charming element, while the palette unifies and harmonizes the composition. 

 

The jurors chose this painting for second prize based on its imaginative use of space, mastery of technique, scriptural depth, and clear understanding of the noble simplicity needed for art to accompany prayer. 

Edith_Pons_Saint Michael_(#1)_66.93x27.55_Oil_Canvas_NFS.jpg

3rd Place

Saint Michael
Edith Pons, 

oil on canel | 66.93  x 27.55. | NFS
edithpons.art

 
Jurors Comments: This arresting depiction of the great St. Michael beautifully captures the power, majesty, and strength of this beloved Archangel. The clear balance of realism and idealism, as well as the mastery of oil painting, made this work a stand-out in this year's competition.

The color palette is evocative of the humility which gave St. Michael his exalted rank among God’s angelic soldiers. He stands as one ready for to fight and protect in obedience and service to God. His face, reminiscent of the classical Greco-Roman ideal, likewise shows a masculine being with the inner virtues and self-control of an angelic soldier. 

Sacred Art Prize Exhibition 2025 Winners

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Kathleen Carr

Kathleen Carr is the President and Founder of the Catholic Art Institute. She a classically trained painter, multimedia designer and graduate of the Maryland Institute College of Art.

 

In academia, Ms. Carr served as Deputy Chair and Professor of Design and Illustration at the Corcoran College of Art.
 

Her painting has received recognition from the BP Portrait Award at the National Portrait Gallery UK, The Portrait Society of America, The Art Renewal Center Salon, The Salmagundi Club, The Arlington National Cemetery Museum, The Corcoran Museum,  The Butler Institute of American Art, among others.

Ms. Carr has designed for the National Geographic Society, the Washington Post, HZDG Design Group serving a variety of clients including: American Express (Red), AT&T, Beefeater Gin, BP,  Chase Sapphire, Chrysler, Exxon, Fetner Real Estate, Ford, General Mills, Glaxo Smith Kline, Honda, IBM, Kelloggs, KIA, The Marriott Corporation, Mastercard, McDonalds, Mercedes Benz, Merck, Microsoft, Mini Cooper, Porsche, Rolex,  Siemens, Toyota, The Washington Capitals, VRBO and more.

 

Her design work has been featured in Communication Arts, Apple.com, Quicktime & Dynamic Graphics.

She studied classical painting  with Scott Waddell, of Grand Central Atelier , Robert Liberace of the Art Student's League of VA,  Dan Thompson of Studio Incamminati, and Natasha Mokina at the Corcoran College of Art. 

Porfolio: CarrFineArt.com.

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2025 Sacred Art Prize Jurors

Charles Pabst

Vibrant, colorful paintings teeming with life; nearly everything Charles Pabst paints bears the stamp of his joyful positivity. A family-oriented man who thrives on the interaction with his large family and circle of friends, Pabst refuses to confine himself to one style, but all of his work has an underlying sense of optimism and hope. His range helps account for his broad-based appeal, but so does his exquisite use of light, his gift for mixing color and his taste for lovely, often poignant scenes.

 

His art shows have been sellouts throughout the country since the early 1980's. An award-winning favorite among art collectors, his works can be found in private, corporate, and university collections throughout the world. A native of Santa Clara, California, Charles Pabst graduated from Arizona State University with a degree in Fine Arts.

He has received numerous awards over the years and has been featured in numerous publications including American Art Collector, Southwest Art, Art of the West, ArtBook, and his book, Reflections, the Life and Career of Charles H. Pabst.

Sacred Art Prize Opening Reception
February 21, 2026
Sacred Art Gallery, Mesa, AZ.
with Speakers:
Bishop John Dolan
Ruth and Geoff Stricklin, New Jerusalem Studios
Kathleen Carr & Charles Pabst, Jurors
and Stephen Ryan, Sacred Art Gallery 

Sacred Art Prize Opening Remarks from President and Juror, Kathleen Carr
February 21, 2026


Good morning, and thank you all for being here.

It is a profound joy to gather for the Sacred Art Prize, especially having begun this day in the most fitting way possible—with the Holy Sacrifice of the Mass so beautifully offered by Bishop John Dolan. We are deeply grateful for his presence, his ministry, and his witness to the Church’s living tradition of worship, which sacred art is meant to serve.
Because this morning is not only about artistic achievement.
It is about the sacred vocation of the artist and the beauty that leads souls to God.

From the earliest centuries of the Church, artists have carried a unique responsibility. Their work is not merely decorative, nor simply personal expression. The true purpose of sacred art is to glorify God and to draw the faithful into His presence through beauty—beauty that reflects truth, goodness, sacrifice, harmony, and love.
When sacred art is faithful to this calling, it becomes more than paint or stone.
It becomes a window into heaven.
It teaches without words.
It strengthens belief, consoles suffering, and quietly invites the soul into prayer.
And yet, we know that this vocation is not easy to live today.

Artists of faith often walk a difficult path marked by real financial sacrifice, uncertainty, and at times a deep sense of isolation. Many labor outside the structures of the contemporary art world, which for generations has too often been shaped by modernism’s suspicion of beauty, transcendence, and even faith itself.

To remain faithful to sacred beauty in such a climate requires courage.
It requires perseverance.
And above all, it requires love—love for God, love for the Church, and love for the souls who will one day encounter these works and be drawn closer to Him because of them.

This is precisely why the Sacred Art Prize was founded. As a juror—and as the founder of this prize—my hope has always been to recognize the excellence in sacred art being created today, to ensure that these artists receive the visibility and honor they deserve, and in very practical terms, to help open doors: doors to commissions, to patrons, to the sale of their work, and to sustainable lives dedicated to the service of beauty and the glory of God.

Because the renewal of sacred art will not happen by sentiment alone. 
It requires real support for real artists—spiritual, cultural, and material. But recognition alone is not enough. Theology matters.

Sacred art is not simply religious subject matter rendered in any style whatsoever. The way something is depicted shapes how it is believed. Authentic sacred art must preserve a sense of mystery, transcendence, and the reality of the supernatural.

When an image becomes overly naturalistic—reduced to mere realism or even photo-realism—it risks collapsing the distance between heaven and earth that sacred art is meant to reveal. Instead of opening a window to the divine, it can become closed in upon the merely visible.

The Church’s tradition offers another path: a language of beauty that is recognizable yet transfigured, human yet radiant with grace, grounded in reality yet ordered toward eternity. This vision is not a limitation on artistic freedom—it is a liberation, because it directs artistic genius toward its highest end: participation in God’s own creative light.
What we see gathered here today is therefore more than an exhibition.
It is a sign of hope.
Hope that beauty is not lost.
Hope that faithful artists are rising in our time.
Hope that the renewal of sacred art—so essential to the renewal of worship, culture, and evangelization—is already quietly unfolding.

None of this would be possible without generous partnership. I want to offer my heartfelt gratitude to Marcus, Stephen, Christine, and Charles for their dedication, their belief in this mission, and their tireless work in bringing this exhibition to life. Their collaboration is itself an act of service to the Church and to beauty.
And to the artists whose work surrounds us: thank you.
Thank you for your sacrifice.
Thank you for your faith.
Thank you for continuing to create beauty in a world that so deeply needs it.

Your work matters more than you may ever fully see. Because every true work of sacred beauty becomes, in God’s providence, an instrument of grace—a quiet invitation for souls to encounter the living God.

May this day encourage you, strengthen you, and remind all of us that beauty still has the power to lead hearts to heaven.

Thank you, and may God bless you all.


 

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